Not unlike most of my drawings, these sketches explore the tension between organic and artificial forms, using linework to sculpt ambiguous, three-dimensional shapes that evoke biomorphic structures. By employing intricate cross-hatching and layering techniques, I investigate how texture and shading can create a sense of mass, weight, and surface quality, despite the simplicity of the materials—pen and paper.
These forms exist in a liminal space between the familiar and the unknown. Some resemble eroded landscapes or anatomical structures, while others suggest futuristic artifacts or remnants of something both handmade and natural. The deliberate use of ballpoint and ink allows for a meditative process, with the repeated motion of mark-making mirroring natural processes of accumulation and erosion.
Thematically, this body of work reflects on transformation—both physical and psychological. It considers how forms shift and evolve over time, whether through external forces or internal change. The interplay between negative space and density in each drawing underscores a dialogue between absence and presence, questioning how we perceive and define boundaries in both material and conceptual ways.
I will update these page with new drawings regularly.